Granted, I'm that one jerk who actually liked 'Exorcist: The Beginning', but the point is that this film commits its own sins. or maybe this film.Jeez, you see, prequels are confusing enough in a series when we don't go back and remake them, and to make matters worse, I for one don't think that this film ultimately any better or any worse than 'The Beginning'. that is, the first installment in this franchise, not the first chapter in this mythology, which is 'The Beginning'.

Sorry, Bill, my man, but in America, the power of money compels, and even though this film is cheaper than 'The Beginning', it made its predecessor look like the financial success of the first 'Exorcist'. Man, Rotten Tomatoes really did hammer into this baby, and it scored almost 20% higher than 'The Beginning', but hey, at least William Peter Blatty, the novelist behind this mythology, liked it, which is most important.

Swedes can apparently break important rules as people from the land of death metal by driving out Satan and his assorted buddies, but I seem to be giving this 'promising' story concept too much credit, seeing as how there's no saving the film it's attached to, at least when the final product 'suffers from hit-and-miss psychological tension, poor visual effects, and weak writing', and is an 'overambitious failure of a horror movie'. I like how this film's title literally boasts, 'Oh yeah, and for the record, this is the prequel to 'The Exorcist'', just to prove that it has no subtlety about being an attempt at making you forget about 'Exorcist: The Beginning', which I suppose it alright, because as far as impressing the critics more, this prequel/remake/early version/midquel/whatever is a success. It follows most of the same plot beats as 'Exorcist: The Beginning', stars Stellan Skarsgård as Father Lankester Merrin, has the same writers and even comes close to the same runtime, but sure, this is a new and improved prequel to 'The Exorcist'.

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